DARK SIDE OF THE SWOON
Saturday, March 14, 2026
(Not pstd elsewhere)
Friday, March 13, 2026
What Emilia Hart’s passage brings up straight away is how easily a woman can be turned into a category. In her own head she’s ordinary and has reasons for what she does. And then a word is placed on top of her and that word starts doing more work than she ever did. “Witch” was a verdict. And once enough people said it, her own account of herself stopped counting.
In Weyward, the women are growing plants, keeping to themselves and leaving men who hurt them. Emilia Hart sets the story in small rural communities across different centuries, and those settings are important because when you live somewhere small, you can’t outrun a rumor. If people decide you are odd, that description follows you into the shop, into church, and every doorway.
And once the word “witch” is spoken by someone with standing, it stops being idle talk. Hart draws on the long history of European witch trials, where accusations moved through legal systems run by men. So the word carried authority and could move a neighbor’s complaint to a court. A woman might insist she was simply knowledgeable about herbs or just unwilling to remarry, but her insistence didn’t carry the same force as the accusation.
It’s uncomfortable to admit how familiar that still feels, even without fires and executions. A woman reaches midlife and stops softening her opinions, and she’s called sharp. She leaves a marriage and someone describes her as unstable. The description arrives first, and people adjust around it. You can see the slight pause before she speaks. The look exchanged between colleagues. Rachel Cusk has written about how female directness is received as aggression. The same sentence, delivered in the same tone, draws a different response depending on who says it. After that, the response becomes part of her reputation.
The line about building gallows and pyres forces you to remember that language did not float harmlessly above events. Before any execution, there were meetings, statements, and signatures. Neighbors repeating stories until they sounded like fact. The word witch prepared people to accept punishment. By the time a woman stood trial, many had already agreed on who she was.
And Hart’s characters know this, which is why they resist the label at first. There’s caution passed from mother to daughter. Don’t draw attention and give them reason. That training echoes through generations. Many women were raised to be agreeable because likeability offered protection. You can feel how that habit lingers. You add a smile to a firm email and lower your voice when disagreeing. Not because you doubt yourself, but because you know how quickly tone can be used against you.
Mona Chollet writes about the suspicion directed at women who live outside marriage or motherhood, and it connects here because those women often become subjects of commentary. Their choices are discussed more than men’s are. A single woman in her forties is still treated, in some circles, as a puzzle to solve. That scrutiny doesn’t lead to public execution now, but it can lead to exclusion or to being talked about as if you are missing a vital part.
What keeps needling at me is how group agreement forms. Witch trials required testimony from ordinary people. It wasn’t only officials. It was neighbors confirming the story. And even now, when a woman is labelled difficult, others sometimes join in.
The passage refuses to separate speech from outcome. A word can reorganize how a woman is treated a long time before any official decision is made. Once she is described in a certain way often enough, people respond to that description rather than to her behavior. Correcting it demands stamina and many women calculate whether it’s worth the effort.
Reading it as a middle-aged woman, you start to recognize how much energy has gone into staying outside certain labels. How often you’ve adjusted your presentation to avoid being renamed. And you also start to wonder what might have unfolded differently if those words had never been given such authority in the first place.
© Echoes of Women - Fiona.F, 2026. All rights reserved






