Monday, November 24, 2025

Today we remember Thaddeus “Ted” Budny Jr. (August 10, 1936 – November 13, 1960) — a young man whose love for adventure, talent, and determination carried him from the busy neighborhoods of New York City to the rugged landscapes of the American West, and finally onto television screens across the country. His life was brief, but it burned bright with passion, courage, and unforgettable spirit.
Born and raised in Brooklyn, Ted grew up in Greenpoint and attended St. Anthony’s Parochial School before continuing on to Chelsea High School in Manhattan. But even as a city kid, his heart belonged to open skies, dusty trails, and the freedom of horseback riding. The rhythm of hooves called to him more than anything else, and he dreamed of a life far from the crowded streets of New York.
That dream carried him west — all the way to Tucson, Arizona, a place where the culture of ranches, horses, and wide-open spaces shaped his next chapter. Ted found work at Tanque Verde Ranch and other local ranches, molding himself into a skilled rider and ranch hand. He didn’t just ride horses — he lived the lifestyle. He learned to rope calves, handle broncs, and master the craft that made him stand out in a region full of cowboys and seasoned hands.
This authentic skill, combined with his natural charisma, began catching the eye of film crews. Tucson was a hotspot for Western movies, and Ted started appearing as an extra in productions shooting on location. It didn’t take long before his talent moved him from the background to the real attention of actors and filmmakers.
One moment changed everything:
Ted met teen idol Ricky Nelson on the set of Rio Bravo.
What began as a chance encounter slowly grew into a sincere friendship, one that opened a remarkable door in Ted’s life. Through that connection, Ted landed the role of “Zeke”, one of Ricky’s fraternity brothers, on the legendary television series “The Adventures of Ozzie and Harriet.” Appearing in multiple episodes from 1958 to 1960, Ted brought youthful energy, Western charm, and genuine warmth to the screen. For a young man in his early twenties, he was living the dream — a life filled with acting, adventure, friendships, and the promise of a rising career.
But Ted’s story, full of possibility, came to a heartbreaking end far too soon.
On Sunday, November 13, 1960, Ted joined his friend and co-star Skip Young, along with two young women, for a day trip to Catalina Island aboard Skip’s 22-foot cabin cruiser. What began as a simple outing on the water would turn tragic on the journey back to Los Angeles.
As evening fell, the boat struck the breakwater at San Pedro with devastating force. The impact tore the vessel apart, sending everyone into the cold, rough waters. Skip and his girlfriend managed to swim to shore and alerted the Coast Guard. The young woman who had been with Ted was found after nearly thirty minutes of drifting in the dark waves — shaken, but alive.
Ted, however, had suffered a fatal blow, likely hitting the rocks during the crash. Though he was wearing a life preserver, he was rendered unconscious and drowned. His body was later discovered about 500 yards from the wreckage.
He was just 24 years old.
Ted Budny had traveled across states, across careers, across dreams — from a boy with a love for horses to a young actor in Hollywood’s golden era. His life was full of potential, friendships, and the kind of ambition that inspires those who hear his story.
Today, his memory rests at Calvary Cemetery in Queens, New York, a final resting place close to where his journey began.
We honor Ted Budny not for the tragedy that ended his life, but for the courage, passion, and authenticity that shaped it. A young man who chased his dreams with everything he had. A cowboy at heart. A rising star. A spirit taken too soon, yet never forgotten.
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Today we remember Judith Eva Barsi (June 6, 1978 – July 25, 1988) — a bright, talented young actress whose voice, spirit, and unforgettable performances touched millions around the world. Though her life was heartbreakingly short, her impact remains timeless.
Judith’s journey into acting began almost by chance. At just five years old, her natural charm and expressive personality caught the attention of casting directors. Very quickly, she became a familiar face on television — appearing in commercials, guest roles, and eventually major Hollywood productions. Her dedication, professionalism, and ability to bring emotion to any character made her stand out even among adult actors.
By the time she reached fourth grade, Judith was earning enough to help her family buy a home in West Hills, Los Angeles. It was a remarkable achievement for someone so young — a testament not only to her success, but to the extraordinary future that seemed to lie ahead of her.
Her talent only grew stronger. Judith voiced Ducky in The Land Before Time, a role that remains beloved worldwide. Her cheerful line, “Yep! Yep! Yep!”, became one of the most iconic moments in 1980s animation. She later brought another unforgettable character to life in All Dogs Go to Heaven, capturing innocence and warmth in a way only she could. She also appeared in Jaws: The Revenge, proving that she could shine both on-screen and in voice acting.
But behind the cameras, Judith faced challenges no child should ever have to endure. Her father, struggling with alcoholism and emotional instability, created a home environment filled with fear and unpredictability. Those close to Judith noticed signs of distress, but despite concerns raised to authorities, the help she needed did not arrive in time.
In July 1988, tragedy struck. Judith, along with her mother Maria, lost their lives in an act of violence inside their home. Their passing sent shockwaves through Hollywood and broke the hearts of everyone who had worked with — and loved — this remarkable child. Judith was only ten years old.
Today, Judith and her mother rest together at Forest Lawn–Hollywood Hills Cemetery, a place where fans still visit to leave flowers, toys, and messages of remembrance for a little girl whose talent outshone her time.
Judith’s legacy lives on in every child who laughs at Ducky’s cheerful voice, every family that watches The Land Before Time together, and every generation introduced to her warmth through classic animation. Her performances continue to inspire young actors, reminding the world that even the smallest voices can leave the deepest echoes.
Although her story is tragic, Judith Eva Barsi remains a symbol of innocence, talent, and the light she brought into millions of lives. She may have been taken far too soon, but her work — and her memory — will never fade.
A star who left too early.
A voice the world will never forget.
Forever remembered.

 

Sunday, November 23, 2025

                                                                         Retroscifi Art

Art by John Berkey for Star Science Fiction Stories No. 4 (1972). It was also amongst a number of artworks purchased by George Lucas to use as the visual background to try to get movie studios interested in funding Star Wars.

From kitbashed.com: “George Lucas himself personally called Berkey at his home studio and commissioned him to do several paintings to be used as the visual background to try to get a movie studio interested in funding Star Wars.

To serve as visual reference material, Lucas purchased several pieces of space artwork from artist John Berkey, then began drafting his fantasy in earnest. One of Berkey’s illustrations - a rocket-plane diving down from space towards a gigantic metal world - seems to have especially caught and held the director’s eye.“


 

Friday, November 21, 2025

 House of Shield's Night Club, San Francisco, Calif.


                       Seal Point, San Francisco


Tam Nguyen Photography, San Francisco, Calif.

           
Tam Nguyen, Photo



San Francisco Bay - Sailing past the Lime Point Lighthouse, (established as a fog signal in 1883. The current building dates from 1900 and had a beacon affixed to the top of it.), base of the north tower of the Golden Gate Bridge in the background.
Photo taken Sept. 10th, 2000.
credit: nuvocoke
Good night, San Francisco!


Wednesday, November 19, 2025

A Nurse's Intuition & The Embrace That Changed Medicine 💖 This story is a beautiful reminder that sometimes, the greatest revolutions are born from the simplest acts of love.
In 1995, tiny premature twins, Kyrie and Brielle, were fighting for their lives. Brielle was weakening by the hour, and doctors prepared the family for the worst. But a single nurse, listening to her deepest instinct, broke protocol: she placed the two sisters skin-to-skin in the same incubator.
And then, the impossible happened. Brielle's breathing stabilized, her oxygen saturation soared, and they saw Kyrie's tiny arm reach out to hold her. It was a suspended, silent moment that proved the controversial idea that infants can regulate each other’s physiology—heartbeat, temperature, and even stress levels—through co-regulation.
This "Rescuing Hug" didn't just save Brielle; it became a quiet catalyst, influencing hospitals globally to embrace co-bedding for twins and widely adopt kangaroo care.
The greatest breakthrough wasn't a complex machine—it was an embrace. May we always remember the healing power of holding onto the ones we love.

Tuesday, November 18, 2025


 
Republican, Democrat, spare me the team jerseys. I don’t give one fuck what color your tie is. If you’re guilty, you should be prosecuted to the absolute ends of the law. No exceptions. No winks. No quiet resignations and soft landings. The Epstein horrors were never political, they were moral atrocities, and they should be treated like the crimes against humanity they are.
And now here comes democrat Larry Summers, slinking out with his carefully manicured apology tour, “deeply ashamed,” “full responsibility,” “stepping back from public commitments.” Spare me. The man wasn’t “misguided”; he was comfortable. Comfortable enough to keep talking to a predator whose existence was an open secret among the powerful. Comfortable enough to keep basking in the glow of proximity, because Epstein’s currency was access, and Summers kept cashing the checks until the house of cards finally collapsed.
Now the boards and think tanks are suddenly discovering their consciences, funny how that works. The Center for American Progress hits the brakes. Yale Budget Lab quietly unhooks his name from the masthead. Everyone scurries to distance themselves, as if cutting the rope after the ship has already sunk is some kind of moral victory.
And Harvard, of course, says nothing. Silence is their favorite language when the rot creeps too close to the marble halls.
Elizabeth Warren is right: sever the ties. All of them. Stop pretending that selective shame is the same thing as accountability.
Because this isn’t about Summers alone. It’s about the entire ecosystem of “respectable” people who orbited Epstein like he was some kind of diseased sun, who enjoyed the warmth and now want to pretend they never saw the heat.
This isn’t about politics. This is about character.
— Michael Jochum
Michael Jochum is a writer and musician reflecting on art, politics, and the human condition.


 
Robert Weston Smith….AKA Wolfman Jack. He was an American disc jockey, active for over three decades. He was famous for his gravelly voice. At his peak, Wolfman Jack was heard on more than 2,000 radio stations in 53 countries.
In 1973, Wolfman Jack appeared as himself in George Lucas's second feature film, American Graffiti. Lucas gave him a fraction of a "point", the division of the profits from a film, and the extreme financial success of American Graffiti provided him with a regular income for life. He also appeared in the film's 1979 sequel More American Graffiti, though only through voice-overs. In 1978, he appeared as Bob "The Jackal" Smith in a made-for-TV movie Dead man's Curve based on the musical careers of Jan Berry and Dean Torrence of Jan and Dean. Smith appeared in several television shows as Wolfman Jack, including The Odd Couple, What's Happening!!, Vega$, Hollywood Squares, Married... with Children (his final public performance), Emergency!, The New Adventures of Wonder Woman, and Galactica 1980. He was the regular announcer and occasional host for The Midnight Special on NBC from 1973 to 1981. In 1976, he furnished his voice in The Guess Who's top-10 hit single "Clap for the Wolfman".
He was the host of his variety series The Wolfman Jack Show, which was produced in Canada by CBC Television in 1976 and syndicated to stations in the U.S.
In 1984, Wolfman Jack starred as himself on the short-lived ABC animated series Wolf Rock TV.
On July 1, 1995, Smith died from a heart attack at his house in Belvidere, North Carolina, shortly after finishing a weekly broadcast. He was 57 years old. He is buried at a family cemetery in Belvidere.