Greer Lankton, an influential American artist known for her striking and unconventional dolls, emerged as a prominent figure in the New York art scene during the 1980s. Born in 1958 in the Midwest, Lankton moved to New York City in the late 1970s, where she quickly became known for her lifelike dolls that challenged conventional representations of identity, gender, and the human experience. These dolls, often created from a mix of materials including fabric, paint, and found objects, mimicked the complexities of the human body and served as a medium for Lankton to explore themes of beauty, femininity, and vulnerability. Her work was deeply personal, often reflecting her own experiences and struggles, including her journey as a transgender woman.
The artist's dolls were not only artistic creations but also social commentaries, embodying the bizarre and mundane aspects of life. Figures such as Sissy and Cherry, showcased in this photograph, exemplify Lankton's unique approach, blending humor and pathos in their design. These dolls often served as muses for Lankton, much like the iconic figures of the time, including Teri Toye, Diana Vreeland, and Candy Darling, who were celebrated for their contributions to the avant-garde scene. Lankton’s work resonated with the LGBTQ+ community and beyond, offering a provocative exploration of self-identity and the performative nature of gender.
Lankton's legacy extends beyond her dolls; she was a vital part of the East Village art scene, collaborating with various artists and participating in influential exhibitions. Her work is seen as part of a broader movement that sought to challenge traditional norms in art and society, making room for new voices and expressions. After her untimely death in 1996, Lankton’s contributions were increasingly recognized, cementing her status as a significant figure in contemporary art. Today, her dolls are celebrated not just for their craftsmanship but also for their powerful commentary on identity and the human experience, continuing to inspire new generations of artists and viewers alike.
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